Thursday, December 2, 2010
Tuesday, November 16, 2010
Street Art - Chewing Gum Paintings
Throughout the semester, I have been introduced to many new and different types of art, and this is just another example of the immense variety of art in our world. Digital Media class has shown me new types of digital art, but I can not resist looking at other types too... like those made out of used chewing gum.
Ben Wilson's, a London based artist, creations might repulse some, but his skill and creativity should outweigh the germ issues and impress anyone interested in different art mediums. Wilson searched the streets for used bits of gum, ones that have been around for a while and thus lost their
Ben Wilson's, a London based artist, creations might repulse some, but his skill and creativity should outweigh the germ issues and impress anyone interested in different art mediums. Wilson searched the streets for used bits of gum, ones that have been around for a while and thus lost their
moisture. He then heats them up and applies a lacquer, allowing his "paintings" to last.
Images credit to kuriositas
Monday, November 8, 2010
"The Commute"
Going into this project I was very unsure of the direction I would take and had many different ideas on the subject matter I would focus on. After much thought, I decided to focus on my experience in New York City and the commute I took into the city every morning and back home again at night. During my daily commute I encountered many interesting people and situations, but mostly I kept to myself, reflecting on the day or day dreaming.
Through the use of ambient sounds, abrupt clips and sequences I believe it is easy to understand the emotion of this experience and perhaps even feel it for yourself.
Wednesday, October 6, 2010
Photo Montage
Realistic -
I choose to create this image for a few different reasons. My family and I took a trip last weekend and although I took many photographs, none of them had all four of us in them, so I decided to create one (our cat was not included in the trip, but she is a part of the family so I decided to include her). I think the background image is a really great space and that it works well to house all of the different images. I choose to place the images as I did because of the direction the subjects are facing and their relative size. I utilized the Photoshop layers a lot in creating this project, and found the clone tool especially helpful in making it seem more realistic.
Fantastic -
I really like this montage. I wanted to create a montage that was fun and carefree, and I think I accomplished this. I choose the cupcakes as the background, because first off who doesn't like cupcakes and secondly, the icing looks very cloudlike and fun to jump on. I then placed images of my friends around the cupcakes it make it seem as though they were jumping and playing around on them. I used the "free transform" tool a lot to make sure their sizes were proportionate to each other. I also used the clone tool many times to blend the different layers together.
Monday, October 4, 2010
Art in the Time of Technology
There are many ideas on how new technologies and media change the way people view and understand art. Technologies such as cameras, computers and the Internet provide many people with opportunities to see works of art they did not have access to before.
Just this week, an Italian company put online high-resolution images of "The Birth of Venus" and five other masterpieces from the Uffizi gallery in Florence, including works by Caravaggio and Leonardo da Vinci.
Just this week, an Italian company put online high-resolution images of "The Birth of Venus" and five other masterpieces from the Uffizi gallery in Florence, including works by Caravaggio and Leonardo da Vinci.
The images have a resolution of up to 28 billion pixels, said Vincenzo Mirarchi, CEO of the Haltadefinizione company that digitized the paintings. That's about 3,000 times stronger than the resolution of an average digital camera.
The company put Leonardo's "Last Supper" online three years ago, but the technology has advanced since then. Today, it shows details up to a hundredth of a millimeter.
The technology entails taking hundreds of pictures of tiny portions of the artwork and then combining them to recompose the whole image. Lighting is crucial, says Mirarchi.
The reproductions can allow researchers and art-lovers to study an artwork from afar, but they also represent a historical document of how a painting appears at a given time.
Images from the collection can be viewed here
Wednesday, September 22, 2010
Photo Collage
My project was created to reflect my passion for both traveling and taking photographs. I believe the theme of travel is communicated to the viewer through the use of the plane, world, passport stamps and various images from my own global travel experiences. I really like how the passport stamps look against the sky background of the image and how they bring all of the photographs together. I also like how the images are laid out around the airplane and globe. I would have liked to blur the edges of the individual photographs, but I do not know how to do that in Photoshop yet.
Monday, August 30, 2010
MultiLingual
I think Luke William's 2008 project Multilingual is awesome! I really like that he used something as simple as human tongues and colored paper to make a fun and exciting exhibit. I think this work goes to show that you do not have to have a ton of resources or props to produce enjoyable photographs!
To read Luke's comments on this work or to find out more info, visit his website!
Touching Strangers...
Everyone has their own personal space preferences, especially when it comes to being near/touching complete strangers. Photographer Richard Renaldi crosses all personal boundaries with his new, ongoing street photography project entitled Touching Strangers. For this project, Renaldi asks complete strangers to pose together for photos, with the stipulation that they much touch each other in some manner.
Renaldi tells us this about his work...
"I am a New York city based photographer who began a life long relationship with photography back in high school in 1984. I few years ago I became interested in the dynamics of group portraiture and this led me to the project you see here. The premise of this work is simple: I meet two or more people on the street who are strangers to each other, and to me. I ask them if they will pose for a photograph together with the stipulation that they must touch each other in some manner. Frequently, I instruct or coach the subjects how to touch. Just as often, I let their tentative physical exploration play out before my camera with no interference. Though these situations involve orchestrated collaborations between subject and photographer, the emotions captured are both genuine and honest. Touching Strangers encourages viewers to think about how we relate physically to one another, and to entertain the possibility that there is unlimited potential for new relationships with almost everybody passing by."
So how do you feel about touching strangers now?
For more info on this project and Renaldi's other work, visit the website.
Summer Exhibitions - Two I Wish I Could See!
I had the privilege of seeing some great exhibitions this summer, both in the states and in Scotland, but there are a few more that I would love the opportunity to see. Below are two (not digital media exhibits, but still really good ones) that I want to see.
1. Henri Matissee's Radical Invention, 1913 - 1917
Showing July 18 - October 11, 2010
The Joan and Preston Robert Risch Exhibition Gallery in New York's Museum of Modern Art
2. Ana Teresa Fernandez's Abultion
Showing September 10 - October 16, 2010
Electric Works Gallery, San Fransisco CA
Mexican-born painter Ana Teresa Fernandez' upcoming solo exhibition, Ablution, displays the reflective and transformative powers of water. Using oil on canvas, Fernandez manages to make her subjects look as if they're in motion - jumping into a pool with heels on or swimming fully clothed, for example. It seems as these images are photographs, but the fact that they are oil paintings makes me want to see them even more!
1. Henri Matissee's Radical Invention, 1913 - 1917
Showing July 18 - October 11, 2010
The Joan and Preston Robert Risch Exhibition Gallery in New York's Museum of Modern Art
Henri Matisse painting Bathers by a River, May 13, 1913. Photograph by Alvin Langdon Coburn. Courtesy of George Eastman House, International Museum of Photography and Film, Rochester
2. Ana Teresa Fernandez's Abultion
Showing September 10 - October 16, 2010
Electric Works Gallery, San Fransisco CA
Mexican-born painter Ana Teresa Fernandez' upcoming solo exhibition, Ablution, displays the reflective and transformative powers of water. Using oil on canvas, Fernandez manages to make her subjects look as if they're in motion - jumping into a pool with heels on or swimming fully clothed, for example. It seems as these images are photographs, but the fact that they are oil paintings makes me want to see them even more!
Untitled #1 (performance documentation- San Diego), Media - Oil on Canvas
Siren Shadow (performance documentation- San Diego), Media - Oil on Canvas
Aquarius (performance documentation at the Tijuana- San Diego border), Media - Oil on Canvas
Sunday, August 29, 2010
Can Art be Dead?
It is hard to say what exactly falls under the category of art. Perhaps this is because the world of art is expanding everyday with new technologies or because there is no firm definition of what can be called art. Despite there being no concrete definition, I would imagine, that few people would consider dead animals to be works of art... A few days ago I too would have fallen into this category. When I think of dead animals, I generally think of roadkill.. Despite these preconceived notions about dead animals I do really enjoy Polly Morgan's latest collection, Psychopomps, showing at London's Haunch of Venison and I do believe my mind has been changed about what can be called "art".
Morgan trained early in her career as a taxidermist, specializing in skinning and mounting animals before recontexutalizing her work in a gallery setting, presenting the stuffed, trussed specimens like bizarre Victorian curios: rats in champagne glasses, dead chicks spilling out of the crevices of old coffins, and exquisite corpses entombed in jewellery cases. Her current work reflects her taxidermy skills and uses them in a new art form. I wonder if this will catch on?
Morgan trained early in her career as a taxidermist, specializing in skinning and mounting animals before recontexutalizing her work in a gallery setting, presenting the stuffed, trussed specimens like bizarre Victorian curios: rats in champagne glasses, dead chicks spilling out of the crevices of old coffins, and exquisite corpses entombed in jewellery cases. Her current work reflects her taxidermy skills and uses them in a new art form. I wonder if this will catch on?
"Flight of Fancy (Nuthatch), 2009 Crystal jewellery box, 2009 Crystal jewellery boxtaxidermy Nuthatch, © Polly Morgan"
"Carrion Call, (Detail) 2009 by Polly Morgan. Wooden coffin, taxidermy quail chicks"
Polly Morgan Still Birth (Purple), 2010, Taxidermy pheasant chick"
Labels:
Art,
birds,
dead,
death,
PollyMorgan,
Psychopomps,
taxidermy
Expanding the Walls
I personally love it when young people are given the opportunity to express themselves through art and create beautiful things. These works can be especially touching when the artists have interesting or atypical world views or when the subject matter is not well documented as main stream work. A project that I find incredibly motivating and moving took place in New York City not long ago.
Two months ago, The Studio Museum in Harlem gave twelve teenage girls with no formal photography experience professional cameras. They were told to document their lives, their worlds growing up in New York City. The results from this project are both shocking and beautiful in their own way.
According to the New York Times, this program called Expanding the Walls "allows teenagers, 'many of them from Harlem or other historically underserved neighborhoods,' to work with the museum’s curators and educators. They use as their study model the renowned Harlem photographer James Van Der Zee, whose classic portraits chronicled Harlem during most of the 20th century... The teenagers, all of whom are black or Hispanic, are trained in the use of the digital camera’s aperture settings and shutter speeds. They are encouraged to photograph subjects that are the most meaningful to them. Many of the girls use the camera to explore setbacks in life and tough back-stories."
A link to some of the photos can be found here
Two months ago, The Studio Museum in Harlem gave twelve teenage girls with no formal photography experience professional cameras. They were told to document their lives, their worlds growing up in New York City. The results from this project are both shocking and beautiful in their own way.
According to the New York Times, this program called Expanding the Walls "allows teenagers, 'many of them from Harlem or other historically underserved neighborhoods,' to work with the museum’s curators and educators. They use as their study model the renowned Harlem photographer James Van Der Zee, whose classic portraits chronicled Harlem during most of the 20th century... The teenagers, all of whom are black or Hispanic, are trained in the use of the digital camera’s aperture settings and shutter speeds. They are encouraged to photograph subjects that are the most meaningful to them. Many of the girls use the camera to explore setbacks in life and tough back-stories."
A link to some of the photos can be found here
Thursday, August 26, 2010
Pencil Art.. Not What You May Think
When you think of a lead pencil, chances are the first thing that comes to mind is not art... or if it does it is probably as a tool to create art. Dalton Ghetti is changing that way of thinking with his awesome miniature sculptures made out of pencils / lead... Take a look!
Link to an article about Dalton Ghetti and his pencil art.
My Own Digital Media Creations...
Not only do I appreciate the digital media works of other artists, I too have created projects in digital media. Last spring I researched the ways Barbie manipulates and controls our culture; I chose to use culture jams, created mostly in Photo Shop to represent her power.
In Free Fall
During a recent field study in Edinburgh, Scotland I had the opportunity to visit many great art exhibits during the Edinburgh Art Festival. One digital media exhibition of note, held at the Collective Gallery, featured a project by Hito Steyerl called In Free Fall. Not knowing what the exhibition entailed when I entered the gallery, I was a bit uneasy at first with the pitch black room and video screen, however I soon warmed up to the idea and really enjoyed the beautiful experience.According to the exhibition's pamphlet, Steyerl's films are a montage of pop and politics, Hollywood and independent film, interviews and voice over commentaries; all combined into proactive filmic analyses of the present. In Free Fall incorporates a series or works: After the Crash, Before the Crash and Crash which tell the story of the current global economic crisis through the example of an airplane junkyard in the Californian desert. Through the use of narratives or people, places and planes the film reveals cycles of capitalism incorporating and adapting to the changing status of the commodity, but also points at the horizon beyond this endless repetition.
Labels:
Art,
art festival,
collective,
edinburgh,
infreefall,
Steyerl,
video
The Hello Wall
Technology is a beautiful thing; it is amazing how much it continues to transform the art world and has changed what we consider art.London's new Hello Wall is an incredible example of just how big of a role technology can play in art! Wasted Spaces, a non-profit art organization created to help stem the decaying effect of empty and disused buildings on local areas, while providing artists with free exhibition space and a chance to reach a wider audience, has recently taken over a space in London. This latest creation, called the The Hello Wall, is an installation that uses Twitter to let the public interact with the giant wall project. London based artists Hellicar and Lewis were commissioned by Wasted Spaces to create this project, which allows used to interact with the wall by tweeting to @thehellowall using words such as shapes (square, triangle, etc) or commands (shake, more, less)... or one can just say hello!
I wish that I could actually see The Hello Wall in real life! It is such a great idea and I love that Wasted Spaces exists to create such wonderful exhibits in otherwise unused areas.
Labels:
beautiful,
London,
technology,
twitter,
wastedspaces
Subscribe to:
Posts (Atom)


































